Join me and authors Dorina Lazo Gilmore-Young, Tina M. Cho, and Xochitl Dixon for a series exploring what representation means to each of us. I’m kicking things off with the blog post below.
The Impact of Representation
In 2004 a new children’s book made a delightful debut. I Like Myself, written by Karen Beaumont, used energetic rhymes to deliver a story of self-love that featured a little brown girl with a dynamic personality. David Catrow’s whimsical illustrations featured a lead character with spiraling black hair.
This sweet book found its way into my home and into the hands of my then four-year-old daughter Chase. I remember her walking around and quoting the lines that had been read over and over to her:
I like myself!
I’m glad I’m me.
There’s no one else
I’d rather be.
This book was so loved that Chase felt the need to write a note inside the front cover:
Chase loves this book!
Sixteen years later, Chase would find her purpose as a skilled painter, passionate about capturing brown skin-toned beauty on canvas. In a recent interview upon the release of her first published artistic work, Chase was asked about her inspiration for painting diversity. She mentioned I Like Myself and the impact of seeing a character who had spirally black hair just like hers.
Educator Rudine Sims Bishop teaches about the need for children to find mirrors of self-affirmation in books. I wanted that for my four black children as we raised them in a charming southern town. Many hours were spent at our local library, pulling books and engaging in storytime. While our diverse church was faithful to provide curriculum and images that reflected the beauty of diverse skin tones, I also wanted our home library to give my children both affirmation of their God-given beauty, and reinforcement of our faith-filled values.
Visits to the local Christian bookstore did not satisfy this need; and often, the mainstream bookstores only had a few titles that featured characters that looked like my children. When I came across books that gave the double duty of ethnic diversity and faith, I grabbed them to stock our home and classrooms.
Five years ago when God began giving me story ideas, I collected them in my journal, thinking a blog was forming. But slowly, as I reflected on cultural events and the frustration I felt when well-meaning white Christians bragged about teaching their children to be colorblind, I felt called to make a difference by writing books that would impact young hearts. God mined decades of diverse church leadership and shaped a new mid-life adventure for me. And as I began researching and learning the world of publishing, all the treasured picture books that my kids had outgrown became valuable resources.
I am so thankful that there are more options of representation available for children. Diversity of ethnicity, culture, ability, religion, and family background is widely featured in forthcoming releases for children. And it is both an honor and a joy to be one of many who are passionate about providing literary mirrors for little children, especially brown and black children who, like my daughter, deserve to feel the delight of seeing a character who looks like them.
Parents have shared the power of ColorFull giving their children a tool to describe the shade of skin God made for them. A mother wheeled in her toddler son for a hospital book signing for ThoughtFull and thanked me for writing a book that included a boy in a wheelchair. Messages have poured in from grateful parents and ministry leaders, sharing the need for resources like GraceFull that help open up dialogue on difficult and relevant subjects. These words all deeply bless me and remind me that representation impacts both the children who see themselves and the adults who read alongside.
Coming in October, The Celebration Place will give children a window into the beauty of diversity in our church experiences. And I celebrate Black girl joy next January with the release of Crowned with Glory – focusing on self-love and celebrating how we each are crowned with God’s glory.
I treasure the psalmist’s reflections in Psalm 104:24:
What a wildly wonderful world, God! You made it all, with Wisdom at your side,
made earth overflow with your wonderful creations.
Books open up a wonderful world for young minds curious about the diverse people and places around them. I also believe adults need to cultivate hearts that are open to learn and grow.
And there are young little girls like my Chase out there. I’m writing for them, for the delight that will fill their eyes and the joy that will overflow as they see their beautiful selves on the pages of a story. I’m hoping they know that they are seen, valued, and loved.
One dog-eared book shaped my young daughter and the purpose she would grow into. I pray that many more just like her will be impacted by the power of representation.
And now I’m pleased to introduce my friend Dorina! Besides sharing a name, we share a passion for multicultural children’s literature and a publisher (WaterBrook Multnomah)!
Cora loves being in the kitchen, but she always gets stuck doing the kid jobs like licking the spoon. One day, however, when her older sisters and brother head out, Cora finally gets the chance to be Mama’s assistant chef. Cora and Mama work together to cook up pancit for the family in this celebration of Filipino heritage and foods.
Mosaic Voices: Why representation matters in children’s literature and beyond
By Dorina Lazo Gilmore-Young
I was a voracious reader when I was young. Part of this was instigated by my mother, who was a teacher, and read books aloud to my brother and me. She invited us to venture through the wardrobe into another world with Lucy, Edmund, Susan, and Peter. She made the poetry of Robert Frost come alive as we imagined those two roads that diverged in a yellow wood.
My favorite picture book when I was a child was Nine Days to Christmas by Hall Ets, a Caldecott Winner. In the early ‘80s, it was one of the few books I could find that featured a girl with brown skin like mine and included rich cultural details.
Although our family did not have Mexican roots, I was mesmerized by this book. It transported me to another place that somehow felt like home. My mom had lived in Mexico and she affirmed the storyline of this book, where a girl named Ceci is eagerly awaiting Las Posadas – the traditional nine-day series of Christmas celebrations in her village.
I examined the illustrations and poured over the pages of that book again and again. I felt like I was going to the market with Ceci and her mother to select the biggest piñata we could find.
I dreamed of becoming a children’s book author one day and writing books like this one.
I ended up pursuing a career in newspaper reporting and teaching, but one summer I found out about a class on writing children’s books. I knew it was time to pursue my dream of writing for kids. I eventually enrolled in the MFA in Children’s Literature program at Hollins University.
Through my graduate work, I had permission to spend hours in the library reading children’s literature and writing stories. In those years, I had my first baby girl with two more to come. I longed to write books for my own multiracial daughters and others that centered characters of color.
WHY I WROTE CORA COOKS PANCIT
During that season, I wrote Cora Cooks Pancit about a Filipino-American girl learning to cook a traditional noodle dish with her mama. The book was a compilation of my own experiences growing up in the kitchen with my mama, grandmas, and aunties as well as the stories I had gathered of other Filipino-American families in California’s Central Valley. I wanted kids to swirl the pancit noodles in the pot, smell the garlic, and hear the hiss and sizzle of the onions sautéing.
I tried for several years to get that book published, but continued to receive nice rejection letters. Editors and agents told me they liked the story, but the book was too niche to sell. In other words, stories about a specific cultural group like this one would be hard to market.
One day, I received a phone call from an editor named Renee Ting. She just read my manuscript and wanted to publish it.
I almost dropped the phone.
When I got home and consulted my notes, I discovered I had submitted to Shen’s Books two years earlier. In a few months, I signed a contract with Shen’s Books (today an imprint of Lee & Low Books). I didn’t have an agent, but Renee ushered me through the publishing process. My book baby, Cora Cooks Pancit, was born in June 2009 with illustrations by Kristi Valiant.
Our book was awarded the Picture Book of the Year by the Asian American Librarian’s Association. We were invited to Washington, D.C. to receive the award and give speeches. The most magical part was meeting my illustrator Kristi in person and hearing more about her process in creating the beautiful illustrations.
Over the next decade, I read Cora Cooks Pancit aloud and spoke at schools up and down the state of California. My greatest joy was seeing the faces of Filipino-American students light up when they recognized the signature dish that represented their culture – pancit.
On several occasions, I cooked pancit for classes. Students from all different cultures tasted it for the first time. This was an open door to celebrate diversity and culture and to pivot away from the colorblind rhetoric that so often finds its way into education settings.
Today, my Cora book is 11 years old and in her ninth printing. I like to think of her as a middle schooler in a new season for publishing. My heart is encouraged as I see a mounting desire among publishers, schools, and readers for books about and for children of color.
STORIES HAVE THE POWER TO HEAL
My youngest daughter, who is 9 now, enjoys books like Colorfull by Dorena Williamson, Different Like Me by Xochitl Dixon, My Breakfast with Jesus by Tina Cho, The Mindy Kim series by Lyla Lee, and Any Day with You by Mae Respicio featuring kids that look like her. These books are not considered “too niche,” but regarded as an invitation to readers to learn from and about kids from multicultural backgrounds.
We have tasted progress like an appetizer, but haven’t been served the full meal. Representation still matters. As an author, an educator, and a mother of three brave girls, I want to be part of serving up new dishes to add to the feast.
Our family recently started a membership program called Global Glory Chasers. Each month we focus on a specific country and curate a list of books, movies, music, and recipes so families can delve deeper into learning about different cultures together. I believe that reading and listening to diverse stories can help shape all of us.
Stories have the power to educate, instruct, and heal.
As a Christian, I look to Jesus as the best model for using stories to heal. Jesus was a storyteller. He brought the Good News. He chose to share stories that represented and challenged the people who listened. He invited the marginalized to tell their stories. He didn’t elevate the story of a tax collector over an abused woman, or a Jew over a Gentile. Instead, he treated each narrative as precious and part of the whole story being written by God Himself. His stories resounded with love and forgiveness.
Psalm 107 says: “Let the redeemed of the LORD tell their story— those he redeemed from the hand of the foe, those he gathered from the lands, from east and west, from north and south.” (Psalm 107:2-3, NIV)
These words are an invitation to tell our stories. The Israelites continued to tell the story of how God restored them from captivity. Jesus told stories that would shape our understanding of His Father’s Kingdom. And we are called to tell our stories today. When we have fuller representation of stories by God’s image-bearers, we experience a more dynamic narrative of who God is and the work He is doing in our world.
Dorina is an award-winning author, speaker, Bible teacher, and podcaster. She helps people chase God’s glory down unexpected trails and flourish in their God-given callings. She and her husband Shawn are raising three brave daughters in Central California, who love to travel and learn about different cultures. Connect with her at www.DorinaGilmore.com.